Victorian Blue Willow Staffordshire Cow Creamer C. 1850 | Identical to Paul Scott’s Damien Hirst-Inspired Artwork

Product Description:

This vintage Staffordshire Blue Willow cow creamer is identical to the one used by contemporary ceramicist and printmaker Paul Scott in his work "Scott’s Cumbrian Blue(s), Cow in a Meadow After Damien Hirst (2014)". Scott, known for his reinterpretation of classic ceramics, bisected and repaired a similar creamer using the Japanese kintsugi technique, referencing Damien Hirst’s Mother and Child Divided. His work explores themes of art, restoration, and reinterpretation of traditional ceramics.

This creamer retains all the charm of the original 19th-century Blue Willow design, featuring a delicately applied transferware pastoral scene in rich cobalt blue. The cow’s hand-painted expressive face, the beautifully preserved blue willow pattern, and the vibrant grassy mound base make this a striking piece for collectors of traditional ceramics or those interested in contemporary ceramic art.

A rare opportunity to own a piece identical to one featured in a renowned contemporary artwork, this cow creamer is a perfect addition to a Blue Willow collection, a unique decorative piece, or a conversation starter for those who appreciate the intersection of art and history. It would make a stunning addition to a Blue Willow tea setting, standing out beautifully among traditional plates, teapots, and cups. Whether displayed on a dining table, a tea tray, or a collector's cabinet, its unique form and historical significance will surely draw admiration.

Key Features:

• Vintage Blue Willow Staffordshire cow creamer, identical to the one used in Paul Scott’s artwork
• Classic 19th-century Blue Willow transferware design in vibrant cobalt blue
• Expressive cow figure with a grassy mound base
• A unique piece for collectors of ceramics and contemporary art enthusiasts

Size:

(W) 18cm

(D) 8.5cm

(H) 13cm

Condition:

Overall in excellent vintage condition. There are some repairs on the edge of the base and very faint hairlines on two legs. All blue willow patterns, the cow’s face, and the grassy mound base remain beautifully intact with no colour fading. Please see photos for details.